Listen to this track by former Everything But The Girl vocalist, singer-songwriter, and columnist Tracey Thorn. It’s “Oh! The Divorces”, the lead track off of her 2010 solo record Love And Its Opposite. That record was the second release of the century from Thorn, preceded by 2007’s Out Of The Woods, and representative of a new phase in her career as a singer and songwriter.
By this time, she’d spent a decade raising her kids with her partner Ben Watt, also formerly of EBTG and an active solo artist in his own right. She’d given up touring as a live performer by 2000, a part of her career that she’d never really enjoyed fully, and embraced a new avenue of expression through her regular column Off The Record in The New Statesman and as a writer of books. Yet her pursuits as a singer remained. And what a singer! For an artist known for her appealingly unadorned voice, I think a mistake that’s easily made with Thorn is to link her songwriting to that same approach, to assume that she’s always telling her own literal story when she sings.
This dynamic plays into an area that has forever fascinated and befuddled many a music writer, critic, and casual listener; the difference between what a singer expresses in song, and what that same singer really thinks, feels, and directly experiences in their private lives. With this tune, there are a number of elements to throw us off of the trail between the meaning of the song, and its effects on us as listeners.