Gerry Rafferty Sings “Baker Street”

Baker_Street_Gerry_RaffertyListen to this track by Scottish folk-rock proponent and former Stealers Wheel frontman Gerry Rafferty. It’s “Baker Street”, a huge international hit and probably his most recognized song as taken from his second solo album, 1978’s City To City.

The song and the album off of which it came was something of a comeback for Rafferty, who had been hampered from releasing any new work until the legal barbed wire he was wrapped up in with the dissolution of Stealers Wheel was concluded. In order to see to resolving this, he found himself making frequent trips by train between his home in Glasgow and his lawyer’s offices in London; city to city indeed, then. While in London, he stayed at a friend’s flat on the titular Baker Street. As such, this song captures the atmosphere and sets of feelings associated with a tempestuous period for Rafferty, ending well enough to allow him to record his next record, with this song being the biggest of three singles taken from it.

The song is probably best known for its distinct saxophone riff, one that launched a thousand sax parts well into the 1980s. But it’s the song underneath the riff that’s always stood out for me, and certainly a vivid portrait of an artist who walked a razor’s edge between pursuing a creative life, and having to face the pressures of the music industry. Read more

General Public Play “Tenderness”

General Public TendernessListen to this track by dual-frontman outfit and pop-music-with-a-head-for-wordplay purveyors General Public. It’s “Tenderness”, their biggest hit as taken from the debut record in 1984, All The Rage. The song would make them more of a chart draw in North American showings than in their native UK, with top forty play and heavy video rotation too.

General Public was something of a Two Tone and British second wave ska survivor band, featuring members of The Beat  and The Specials. This new band also included members of Dexy’s Midnight Runners and even, briefly, Mick Jones of the Clash before the record was released. The two primaries would be Ranking Roger and Dave Wakeling who had been the lead vocalists for the aforementioned Beat, a band that had made a lot of headway in North America through college radio before fragmenting by 1983.

This song was the second single from their debut album, with the self-referential “General Public” being the first. And it made a cultural impact in a hurry, being a part of soundtrack albums (Weird Science), and on MTV  that got the song heard by new audiences.

And speaking of audiences, what did the success of this song mean where the cultural landscape in North America was concerned? Read more

Paul McCartney Plays “Coming Up”

Paul McCartney 1980
Paul McCartney; I’m pretty sure that’s not a kitten he’s just thrown at us. (Source:

Here’s a clip of the Cute Beatle, who’s celebrating a birthday today (he’s 70!), Paul McCartney. It’s his Wings-less #1 hit single from April, 1980, “Coming Up” as featured on his second recorded-entirely-solo album which is appropriately titled McCartney II, released that same year. The song was a hit in at least two forms; one being the synthesized studio version, and the other a December 1979 live version recorded in Glasgow with a full band.

The live version of “Coming Up”, which featured McCartney’s rock growl of a voice and backed by Wings, garnered attention mostly in North America even though it was technically the b-side. The studio version on the A-side, which features his voice that’s been treated by varying tape speed effects along with a more synthesized texture, won him listeners in the UK.

Maybe this reinforces the generalization that European audiences favour pop artifice, and North American ones prefer rock-oriented true grit. Either way, the song also garnered a positive response from a certain distinguished individual listening to the radio by 1980 – John Lennon. Read more

Tom Petty & The Heartbreakers Play “Refugee”

Listen to this track by Floridian rock ‘n’ roll flame-keepers Tom Petty & The Heartbreakers. It’s their top twenty Billboard hit “Refugee” as taken from their high watermark 1979 album Damn The Torpedos. The song was released as a single in January 1980, standing as one of their breakthrough songs into the top 40 from that time forward.

“Refugee” is an angry tune, sung angrily by Petty. And in 1979, the swagger put back in rock ‘n’ roll in this fashion was a very good thing. Yet, at the same time, there is a pretty timeless quality to this song too, reminding us that the pissed-off, frustrated lover in a relationship marked by baggage that won’t be put down is as much a part of pop music as it’s ever been.

It doesn’t matter whether its sung in 1979 or in 2012. Because when at its best, the power of pop music is that it runs neck and neck with shared human experience.

But, at the time, only just before this song scored such career-cementing success as a single for Petty, the artist really was in a relationship he wasn’t happy with and was having a hard time getting out of.  And it had very little to do with love. Read more

Tell Me A Story: 10 Random Story-Songs You Love and Hate

Singing CowboyPerhaps it came out of the ancient folk traditions, when the telling of a tale and the singing of a song were the same thing. But in pop music, the story-song has had tremendous impact as a form, although with varying degrees of quality, believability, and overall appeal depending on which one we’re talking about. The idea of telling a story in song may have been the best way for traveling troubadours to remember the details. Certainly, it’s a great way for listeners to remember the stories. But, I’m often left to ponder on the holes in the plots of some of these stories, even if I can appreciate the jaunty tune which goes along with them.

Here is a list of selected story-songs which I think bear talking about. Some of them are classics. Some of them are terrible. Frankly, I had a hard time narrowing my focus, as there are so many I could have chosen from so many genres of music, from the Temptation’s soul-pop classic “Papa Was A Rolling Stone”, to Cole Porter’s tin pan alley tale of “Miss Otis Regrets”, to 70s schlock like Paperlaces’ “The Night Chicago Died”. Heck, I had my pick with Smokey Robinson tunes alone! But here they are, randomly, in all of their glory and in no order – I don’t believe in top ten lists – the glorious, the grand, and (in some cases) the gut-wrenchingly awful story-song.

“Tangled Up In Blue” – Bob Dylan

Bob Dylan Tangled Up in BlueFrom Bob’s 70s peak album Blood on the Tracks, comes this tale of drifters, love gone wrong, and regrets for things which might have been. It’s always been a favourite, even if Bob seems to change the words every time he sings it. Sometimes it’s in first person, sometimes it’s in third person. Typical Bob. Is he a part of the story? Is this about his own experience in some way? Or is this just a movie he made up with the engine of his fertile songwriting brain? You’ll never know. Neither will I. It doesn’t matter. This is classic cinematic storytelling, with 13th Century Italian poetry, Joe-jobs, topless bars, untied shoes, pipe-smoking, basement apartments on Montague Street, and mathematician’s wives all thrown in for good measure. Brilliant.

“A Boy Named Sue” – Johnny Cash

Johnny Cash A Boy Named SueA Shel Silverstein poem as told by the king of the outlaws, Johnny Cash. A hard life is the one lived by a boy named Sue, constantly defending his honour due to an effeminate moniker, and vowing to destroy the one who so thoughtlessly bestowed it upon him. This is the ultimate ‘blame your parents’ tune, complete with patriarchal fist-fighting and a touching, albeit misplaced, fatherly sentiment at the end. So, not just God, Murder, and Love then. Well, maybe a bit of love. But this love has broken teeth.

“The Gambler” – Kenny Rogers

Kenny Rogers the GamblerThis is not just a story; it’s a way of life! Kenny Rogers’ immortal tale of a gambler on his last legs handing down his famous advice in exchange for a mouthful of hooch has become burned into the brains of anyone who was in earshot of a radio at the end of the 70s and early 80s. Unfortunately, the song gave way to several TV movies about the titular gambler, with Rogers in the title role. We like the song better, Kenny!

“The Wreck of the Edmund Fitzgerald” – Gordon Lightfoot

Gordon Lightfoot The Wreck of the Edmund FitzgeraldA powerful tale of an iron-ore freighter and her crew who lose a battle with the winds of November on Lake Superior is a staple story song in Canada and has made an impact south of the 49th parallel too. It’s a typical folk tale of a modern-day shipwreck (which actually happened in 1975, the year the song was written). Shipwrecks in general have been prime fodder for folk singers everywhere. But, Lightfoot brings real pathos to this story; when the cook says “fellas, it’s been good to know ya”, your heart sinks, if you have one. The song has come to mean a lot to anyone who loves a great tale, but means the most to the relatives – “the wives and the sons and the daughters” who actually know the events of this song more intimately than anyone.

“Cat’s in the Cradle” – Harry Chapin

Harry Chapin the Cat's in the CradleIt’s the song that frightened a generation into paying more attention to their kids. Self-absorbed, workaholic Dad gets bitten in the ass when he realizes he’s raised a self-absorbed, workaholic son. Don’t let this happen to you, hints Chapin. For all of its familiarity, it still packs a punch, maybe because so many people still haven’t figured out its message. To those people: Hey! Put down that cell phone and go and play catch with your kid, already!

“Hotel California” – The Eagles

The Eagles Hotel CaliforniaIs it a song about the Church of Satan? Is it about being in Hell? Was the overlong double-necked guitar solo really necessary? What the hell does “colitas” smell like, anyway? Whatever the answers to these burning questions, HC became a radio staple, inspiring many a cover version for many a street musician and bar band. Personal factual nugget: as a child, I was sure that Henley was saying “we threw up in the middle of the night/Just to here them say…” As it is, it’s “wake you up in the middle of the night…” which is less interesting.

“Copacabana” – Barry Manilow

Barry Manilow CopacabanaThis is a tale of lust, jealousy, and madness, set in the sultry, sensual Caribbean. Is this a Jim Thompson novel? No, it’s Barry Manilow! This one has such a jaunty tune, yet is rife with violence. I wonder if Tipper Gore ever really listened to this song, which ends up with the beautiful show girl “losing her mind”, after a fatal shooting of her lover in a Cuban nightclub. There would be Parental Advisory stickers all over that sucker.

“I’ve Never Been To Me” – Charlene

Charlene I've Never Been to MeThis song is a marvel. A truly maudlin, yet preachy, tale of a good time girl trying to steer a dissatisfied house-frau from a life of debauchery, debasement, and sinfulness in favour of a good old-fashioned monogamous, Republican-approved vision of womanhood. This wouldn’t be so bad, if Charlene didn’t make the former sound so much more fun than the latter. “I’ve been laid by royalty, had orgasms that have lasted for days, and forgotten about more physical pleasure than you’ll ever know. But, don’t be like me.” Classic.

“Escape (The Pina Colada Song)” – Rupert Holmes

Rupert Holmes Escape (The Pina Colada Song)Get this. He’s not happy with his relationship. He puts an ad in the paper, revealing what he’s really into, and how much he wants to get the hell out of his crappy situation with his tired old lady. He gets an answer to his ad. He meets the mystery woman who is the answer to all of his hopes for crazy, pina colada-fueled sexual thrills on the dunes of the Cape. And whaddya know? It’s his current girlfriend. Now, is this really a relationship booster that the two of them needed, or is it an incredible burn when the realization eventually hits him that she found him to be a dismal drag and wanted to get the hell away from him too?

“Stan” – Eminem

Stan by EminemThis is actually another great story-song to beat most; a tale of a fan gone mad with murderous intent, driven by homoerotic obsession. Dido (who would never be as effective again) shines as the ghostly voice in the chorus, and Eminem packs a wallop in an Oscar-worthy performance as both the crazed fan as well as the object of the fan’s desire, Slim. It’s not just that the song is disturbing. It certainly is that. But, it’s that Em had the balls to tell the story in a genre which doesn’t traditionally value male vulnerability. It is one of the best songs of the 90s in any genre, and certainly one of the better examples of the tremendous potential of hip-hop in general.

So there you are; ten tales of the imagination to shock, to entertain, to educate, and to repulse you. Long live the story-song! Feel free to share your own!