Listen to this track by gravelly-voiced troubadour and downtown Saturday night mythologist Tom Waits. It’s “I Wish I Was In New Orleans”, a sumptuous tune as taken from his 1976 album, Small Change. The album was recorded quickly in the last two weeks of July of that year.
This record represents a high point in Waits’ initial foray into a unique and signature take on the emerging singer-songwriter “genre”of the early-to-mid-seventies, in Waits’ case complete with heavy jazz flourishes and hard-boiled lyrical imagery to go along with his distinctive and texturally complex singing voice. Additionally, some high profile West Coast Jazz musicians back him up on this one, including renowned drummer Shelly Manne who’s intricate brushwork is a highlight through out, coupled with warm acoustic bass, and a lot (a lot!) of tenor saxophone that provides an effective musical foil to Waits’ voice.
“I Wish I Was In New Orleans” includes this jazz dynamic, but centers on Waits’ piano and voice, contrasted with a string arrangement that seems to weep with melancholy. On this one, you can almost see Waits leaning in close to the microphone while hunched at the piano, eyes closed and brow furrowed. This has always been one of his strengths; vivid and wholly embodied performances, even on a studio recording. It’s not just the arrangements, the playing, and the production we get, either. It’s another element that is common to many successful singer-songwriters and bands of that era — the evocation of a mythological world within the music. In this case, it’s a world that is in the process passing, or has passed entirely. Read more