Richard Thompson Sings “Beeswing”

mirror-blue-richard-thompsonListen to this track by British folk-rock storyteller and guitar hero Richard Thompson. It’s “Beeswing”, a cut off of his 1994 album Mirror Blue. That record had him working with producer Mitchell Froom, who helmed the boards for his celebrated record Rumor & Sigh. This time, though, the quirks that characterized their approach came to the surface a bit more, and it was not to everyone’s taste, critically speaking.

But even under these conditions where the album’s production is concerned, “Beeswing” is a giant of a tune by anyone’s standard. It comes straight from Thompson’s deep knowledge and superior command of British folk songwriting traditions dealing in well-traveled themes of tarnished love, character flaws, lost potential, and (to be frank) unhappy endings. This song adds a contemporary dimension to all of that, really sounding like a personal story as well as presenting characters that embody those well-understood and relatable themes.

Most importantly, it’s a song that hits on another resonant theme with which humanity struggles in any era or generation; the balance between personal freedom, and the  obligation to others whom we choose to love, and who in turn choose to love us. Read more

Arlo Guthrie Sings “Alice’s Restaurant Massacree”

Alice's_RestaurantListen to this track by American folk music dynasty member and Brooklyn NY born storytelling singer-songwriter Arlo Guthrie. It’s “Alice’s Restaurant Massacree”, an epic length story-song that appears on his 1967 debut album, appropriately titled Alice’s Restaurant.

This song is his most famous even now, based on real people and real life events, and delivered in a “talking blues” style made popular by his legendary dad, Woody Guthrie. It would prove to be an enduring song even if it is longer than most; 18 minutes and change, depending on the version, of which there are now quite a few. Most of that running time consists of a spoken-word delivery with a circular ragtime style finger-picking vamp behind it. Unconventional as it is, it got Arlo Guthrie a recording contract after his live performances of the song caught the attention of underground radio, who got a hold of a live recording. It was even adapted into a full length feature film in 1969 directed by Arthur Penn, and starring Arlo Guthrie playing a version of himself.

Because the story initially takes place during the Thanksgiving holiday, it’s now often given airplay during that time of the year, having celebrated it’s fiftieth year this past November. But, the themes the song deals with go beyond a single time of year or occasion. Maybe that’s why it was such a hit, despite the level of commitment it asked of listeners during a time when three minute songs were the order of the day. Read more

Rush Plays “Red Barchetta”

Rush Moving PicturesListen to this track by hard rock prog trio hailing from Willowdale Ontario of all places (just north of Toronto for you out of towners …) Rush. It’s “Red Barchetta”, a cut off of their 1981 landmark album Moving Pictures. That album kicked off the decade for them as a new-wave influenced, although still rock-oriented unit and with this song being a stalwart fan favourite and live number, often introduced as “a song about a car”, which it is. But, there’s more to it than that.

This song is set an era when the ominous “Motor Law” makes muscle cars and Italian sports cars illegal, enforced by gleaming alloy air cars roving the roads in search of joy-riding perpetrators. The intricacies of this aren’t really outlined, and it probably doesn’t matter. If you were a teenager in 1981, you’ll know why. How many muscle car-driving Rush fans were there at that time? Too numerous to count. For all of the time-shifting math rock and seamless and staggering musicianship for which the band is known, they knew their audience.

But, what else influenced the writing of this song? Read more

Sufjan Stevens sings “Casimir Pulaski Day” from his album Illinoise

Here’s a clip of twee-indie poster boy Sufjan Stevens with his song from 2005’s Illinoise, “Casimir Pulaski Day”. This track is a highlight from his loosely formatted concept album about the State of Illinois in a similar vein to its predecessor, Greetings From Michigan: the Great Lake State.

Casimir Pulaski Day is a holiday in the State of Illinois, celebrating a historical military figure, Kazimierz Pułaski. This song is not specifically referencing the man or the circumstances surrounding his importance, but is rather a reflection on a series of events that unfolded on the holiday named after him. This is an example of Stevens’ approach to the business of shared cultural history.

Sufjan Stevens
Sufjan Stevens

In this song, and over the whole album, the larger context of the state’s history is shown to contain a number of more granular histories which in the end become more important. Personal history takes precedence in this song. And this is where its strength lies, well beyond a bunch of songs about a certain region. In the lyrics to “Casimir Pulaski Day”, you get a real sense of the characters in the song, the tensions they feel, the sadness they experience, and the love they share. In this song, this is the history that really matters. The holiday, with a history of its own, is just the stage on which the drama unfolds.

The song itself is a series of snapshots of mid-western life; 4H clubs, Bible-studies, and young love. But threaded through these snapshots is a story about the reality of loss. In this song, the spectre of tragedy looms and the faith the characters place in God as a response to that reality seems to return nothing but doubt. The emotional forces present here are potent, yet the presentation of them is understated and without fanfare. For the listener, it’s kind of like looking into a shoebox full of faded photos and handwritten letters  smelling of time, and activating powerful memories which are ultimately too far away to bring into focus. Yet the feelings it evokes are as clear as anything. This is a story of doubt, tragedy, a young life cut short, and the spiritual mess left to clean-up afterwards. This is a song for anyone who has ever wondered, if there is such a thing as a loving God, why do bad things happen to good people?

And of course, there’s the sound of the song – the gentleness of Stevens’ voice and delicately plucked banjo contrasted with the tempestuous emotions which the lyrics evoke. I love the loping guitar lines, the mournful trumpet (has a trumpet ever sounded so mournful?), and the chorus of backing voices like those of a tragedy play. This is one of my favourite songs off of one of my favourite albums which came out that year.

To hear more from Sufjan Stevens, check out the Sufjan Stevens MySpace Page.

And don’t forget to visit Asmatic Kitty Records, Stevens’ label, to find out more about releases and tour dates.

Tell Me A Story: 10 Random Story-Songs You Love and Hate

Singing CowboyPerhaps it came out of the ancient folk traditions, when the telling of a tale and the singing of a song were the same thing. But in pop music, the story-song has had tremendous impact as a form, although with varying degrees of quality, believability, and overall appeal depending on which one we’re talking about. The idea of telling a story in song may have been the best way for traveling troubadours to remember the details. Certainly, it’s a great way for listeners to remember the stories. But, I’m often left to ponder on the holes in the plots of some of these stories, even if I can appreciate the jaunty tune which goes along with them.

Here is a list of selected story-songs which I think bear talking about. Some of them are classics. Some of them are terrible. Frankly, I had a hard time narrowing my focus, as there are so many I could have chosen from so many genres of music, from the Temptation’s soul-pop classic “Papa Was A Rolling Stone”, to Cole Porter’s tin pan alley tale of “Miss Otis Regrets”, to 70s schlock like Paperlaces’ “The Night Chicago Died”. Heck, I had my pick with Smokey Robinson tunes alone! But here they are, randomly, in all of their glory and in no order – I don’t believe in top ten lists – the glorious, the grand, and (in some cases) the gut-wrenchingly awful story-song.

“Tangled Up In Blue” – Bob Dylan

Bob Dylan Tangled Up in BlueFrom Bob’s 70s peak album Blood on the Tracks, comes this tale of drifters, love gone wrong, and regrets for things which might have been. It’s always been a favourite, even if Bob seems to change the words every time he sings it. Sometimes it’s in first person, sometimes it’s in third person. Typical Bob. Is he a part of the story? Is this about his own experience in some way? Or is this just a movie he made up with the engine of his fertile songwriting brain? You’ll never know. Neither will I. It doesn’t matter. This is classic cinematic storytelling, with 13th Century Italian poetry, Joe-jobs, topless bars, untied shoes, pipe-smoking, basement apartments on Montague Street, and mathematician’s wives all thrown in for good measure. Brilliant.

“A Boy Named Sue” – Johnny Cash

Johnny Cash A Boy Named SueA Shel Silverstein poem as told by the king of the outlaws, Johnny Cash. A hard life is the one lived by a boy named Sue, constantly defending his honour due to an effeminate moniker, and vowing to destroy the one who so thoughtlessly bestowed it upon him. This is the ultimate ‘blame your parents’ tune, complete with patriarchal fist-fighting and a touching, albeit misplaced, fatherly sentiment at the end. So, not just God, Murder, and Love then. Well, maybe a bit of love. But this love has broken teeth.

“The Gambler” – Kenny Rogers

Kenny Rogers the GamblerThis is not just a story; it’s a way of life! Kenny Rogers’ immortal tale of a gambler on his last legs handing down his famous advice in exchange for a mouthful of hooch has become burned into the brains of anyone who was in earshot of a radio at the end of the 70s and early 80s. Unfortunately, the song gave way to several TV movies about the titular gambler, with Rogers in the title role. We like the song better, Kenny!

“The Wreck of the Edmund Fitzgerald” – Gordon Lightfoot

Gordon Lightfoot The Wreck of the Edmund FitzgeraldA powerful tale of an iron-ore freighter and her crew who lose a battle with the winds of November on Lake Superior is a staple story song in Canada and has made an impact south of the 49th parallel too. It’s a typical folk tale of a modern-day shipwreck (which actually happened in 1975, the year the song was written). Shipwrecks in general have been prime fodder for folk singers everywhere. But, Lightfoot brings real pathos to this story; when the cook says “fellas, it’s been good to know ya”, your heart sinks, if you have one. The song has come to mean a lot to anyone who loves a great tale, but means the most to the relatives – “the wives and the sons and the daughters” who actually know the events of this song more intimately than anyone.

“Cat’s in the Cradle” – Harry Chapin

Harry Chapin the Cat's in the CradleIt’s the song that frightened a generation into paying more attention to their kids. Self-absorbed, workaholic Dad gets bitten in the ass when he realizes he’s raised a self-absorbed, workaholic son. Don’t let this happen to you, hints Chapin. For all of its familiarity, it still packs a punch, maybe because so many people still haven’t figured out its message. To those people: Hey! Put down that cell phone and go and play catch with your kid, already!

“Hotel California” – The Eagles

The Eagles Hotel CaliforniaIs it a song about the Church of Satan? Is it about being in Hell? Was the overlong double-necked guitar solo really necessary? What the hell does “colitas” smell like, anyway? Whatever the answers to these burning questions, HC became a radio staple, inspiring many a cover version for many a street musician and bar band. Personal factual nugget: as a child, I was sure that Henley was saying “we threw up in the middle of the night/Just to here them say…” As it is, it’s “wake you up in the middle of the night…” which is less interesting.

“Copacabana” – Barry Manilow

Barry Manilow CopacabanaThis is a tale of lust, jealousy, and madness, set in the sultry, sensual Caribbean. Is this a Jim Thompson novel? No, it’s Barry Manilow! This one has such a jaunty tune, yet is rife with violence. I wonder if Tipper Gore ever really listened to this song, which ends up with the beautiful show girl “losing her mind”, after a fatal shooting of her lover in a Cuban nightclub. There would be Parental Advisory stickers all over that sucker.

“I’ve Never Been To Me” – Charlene

Charlene I've Never Been to MeThis song is a marvel. A truly maudlin, yet preachy, tale of a good time girl trying to steer a dissatisfied house-frau from a life of debauchery, debasement, and sinfulness in favour of a good old-fashioned monogamous, Republican-approved vision of womanhood. This wouldn’t be so bad, if Charlene didn’t make the former sound so much more fun than the latter. “I’ve been laid by royalty, had orgasms that have lasted for days, and forgotten about more physical pleasure than you’ll ever know. But, don’t be like me.” Classic.

“Escape (The Pina Colada Song)” – Rupert Holmes

Rupert Holmes Escape (The Pina Colada Song)Get this. He’s not happy with his relationship. He puts an ad in the paper, revealing what he’s really into, and how much he wants to get the hell out of his crappy situation with his tired old lady. He gets an answer to his ad. He meets the mystery woman who is the answer to all of his hopes for crazy, pina colada-fueled sexual thrills on the dunes of the Cape. And whaddya know? It’s his current girlfriend. Now, is this really a relationship booster that the two of them needed, or is it an incredible burn when the realization eventually hits him that she found him to be a dismal drag and wanted to get the hell away from him too?

“Stan” – Eminem

Stan by EminemThis is actually another great story-song to beat most; a tale of a fan gone mad with murderous intent, driven by homoerotic obsession. Dido (who would never be as effective again) shines as the ghostly voice in the chorus, and Eminem packs a wallop in an Oscar-worthy performance as both the crazed fan as well as the object of the fan’s desire, Slim. It’s not just that the song is disturbing. It certainly is that. But, it’s that Em had the balls to tell the story in a genre which doesn’t traditionally value male vulnerability. It is one of the best songs of the 90s in any genre, and certainly one of the better examples of the tremendous potential of hip-hop in general.

So there you are; ten tales of the imagination to shock, to entertain, to educate, and to repulse you. Long live the story-song! Feel free to share your own!