Listen to this track by Stockholm-based indie trio with a self-explanatory and comma-free name, Peter (Morén) Bjorn (Yttling) and John (Eriksson). It’s “Young Folks”, a single as taken from their 2006 record Writer’s Block, a record that served as something of a breakthrough for the band after forming in 1999.
The album title is not in reference to the lack of ideas that often plagues writers.
Rather, it’s a nod to the neighbourhood, Hornstull, in which the band was based at the time, known for a high concentration of writers and artists and for being a hip part of Stockholm. As a result, the sound they reached for on this song and on the whole record was a cooler and slightly detached approach to production and arrangement that brought forward a few more sonic idiosyncrasies than most, like whistling the key hook on this song. That’s a sound a listener might make reproducing it on their way to work. That approach helped to distinguish them, with this song being a standout in various forms on radio, streaming sites, TV shows, movie soundtracks, and beyond.
The song features the guest vocals of Victoria Bergsman of fellow Stockholmers The Concretes playing the role of the would-be lover to which the forthright narrator asks a very direct question. Read more
Listen to this track by former mod representatives turned classic rock institution The Who. It’s “Who Are You”, the concluding song that served as the title track to their 1978 album Who Are You. That record would represent the end of an era for the band when drummer Keith Moon passed away a month after it was released. The attached rendition of the song here is featured in the 1979 documentary The Kids Are Alright.
In some ways, this song and its album marked the end of an era for rock music, too. By the end of the seventies, popular music was exponentially dividing into multiple streams including punk, new wave, and disco. Certain tracks on this album make direct reference to that. Meanwhile, the band itself was struggling along after a three-year recording hiatus with Moon’s health in visible decline. The dynamics between musicians and in turn between the band and the production team that included Glyn Johns and Jon Astley were beginning to fray at the ends as well. These were not easy sessions. Perhaps this was the result of a shot of self-awareness at being among the second generation of rock musicians beginning to sense the end of their prime period.
As usual on this particular song, guitarist and head songwriter Pete Townshend’s well-trodden themes of image, identity, and truth are firmly in place. This time, they come with a bona fide autobiographical component to the story that perhaps goes against expectations when it comes to old rockers versus new punks. Read more