Listen to this track by Crescent City R&B singer, radio personality, and self-styled “R&B Emporer of New Orleans” Ernie K-Doe. It’s “Mother-in-Law” his 1961 number one single that would become his signature tune.
The song was written and produced by indispensable musical renaissance man Allen Toussaint, although it was something of a throwaway tune from him almost literally. The right take on the song proved to be very elusive during the three-hour recording session. In frustration, Toussaint took the songsheet and threw it away. Luckily for Ernie K-Doe and also for Allen Toussaint, backing singer Willie Hopper fished it out of the trash and encouraged the singer to give it another shot, convinced that the song was a hit. It was.
“Mother-in-Law” scored the number one spot on the R&B charts in May of 1961 and stayed there for a week. Ernie K-Doe (born Ernest Kador, Jr.) would trade on this song for decades, singing it during live appearances until the end of his life in 2001. As much as it was signature for him, being his best chart showing by far, the song itself can be viewed as a mark of the times out of which it came, too. Read more
Listen to this track by sisterly New Jersey vocal folk trio The Roches. It’s “Runs In The Family”, a cut off of their 1979 eponymous debut album The Roches. The group was made up of the three Roche sisters, those being Maggie, Terre, and Suzzy, hailing from Park Ridge New Jersey from a solidly Irish-American background.
The Roches’ sound isn’t the genteel and polite one that we might expect from folk-singing sisters. There is a distinct edge to it, with three singers who don’t stay in their lanes even as they mesh their voices, and with those voices marked by idiosyncrasies instead of by standard purity of tone. And talk about unexpected musical combinations. King Crimson-honcho and prog-rock prime mover Robert Fripp not only played guitar on the record, he also produced it.
Even the material undercuts what we expect of a folk tune. This is no fey tale that tells a story of times past. This is decidedly contemporary, concerning itself with an important question that very few of us can honestly answer; why do we make the choices we make and in some cases, do we even have a choice at all? Read more
Listen to this track by Los Feliz-based musical concern Eels as led by E, AKA Mark Oliver Everett. It’s “Parallels”, a single as taken from 2014’s blatantly self-referential The Cautionary Tales Of Mark Oliver Everett. The song would also appear on the excellent 2015 double live album Eels Royal Albert Hall.
Coalescing in the mid-1990s, Eels music covers a gamut of styles from sixties-influenced indie-rock, to roots-rock, to chamber pop, to a brand of Americanized trip hop, scoring E modest cult status enough to make a career as a professional musician known for brutally honest Lennonesque confessional songs. “Parallels” is one of them, springing from flowing acoustic guitar arpeggios and accompanied by a keening lap steel, a foil for E’s charmingly rumpled and weary lead vocal.
Before his professional music career began, E had been a part of a household with another well-known name in limited circles; his father’s, physicist Hugh Everett III. Many years after his death, the elder Everett makes his way into the middle of this song by his son. Or, at least his theories of quantum mechanics do. Read more