The Boss Of Me: A Tale Of Two Titles

Duke Street Kings front coverIn his triumphant return to the pages of The Delete Bin, merely popping in perhaps from his sojourn as a book-writer and blogger in his own right (write?), Geoff Moore deliberates over his career as a novelist, specifically as a music nut with a penchant for titling his work like a boss, or rather in deference to THE Boss.

He also talks a bit about his newest book, Duke Street Kings, a tale of friendship, betrayal, the advertising industry, and the possibility of swimming with the fishes, gangland style — all set to a beat you can dance to. 


In 1962 Bo Diddley sang Willie Dixon’s words: “You can’t judge a book by its cover.” But the artwork and especially the title will surely influence your decision to purchase it.

In the mid-1990s I set about writing my second novel as my first attempt was quietly disintegrating in landfill somewhere in the environs of Montreal. Taking Stock was to be a novel about work. In my life I’d found that when my career was going well my personal life was a mess and vice versa. One propped up the other. Neither ever went well at the same time and I wondered what would happen to a man if his alternating pair of support systems tanked at the same time. Read more

Rock ‘n’ Roll Memoirs: Time Fades Away

The Christmas season is upon us, and just in time for that music geek in your life, a whole batch of rock biographies have recently hit the market.  In the wake of Keith Richards’s staggeringly popular (and therefore best-selling) biography, Life, come a number of tomes from the elder statespersons of rock ‘n’roll myth. Neil Young, Rod Stewart, and Pete Townshend have been the highest profile autobiographers recently, and of the same vintage and venerability as Keef.  But, Stones sax player Bobby Keys, bass-supremo Jerry Scheff (Elvis, Bob Dylan, The Doors, nearly everyone …), and  Greg Allman, among others, all had books to flog this year.

Whatever music and musicians you’re into, the market is ripe for writers and readers alike.

But, what is it that drives the guitar-smashing, microphone-humping rock god into the study, hunched over his or her laptop (or ghostwriter) in a bid to catalog a life of creativity, success, betrayals, and excess? And further, what is it that drives us music obsessives to absorb these stories so readily, with the fervour of a religious acolyte, even if we’ve known many of the episodes by rote through various means even before they appeared between the pages of the latest hardcover?

Cultural critic, writer, novelist, and voracious reader in residence Geoff Moore is here to peruse the texts, and discover not only who wrote the Book of Love, but why in fact we still want to read it…

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