Listen to this track by jam-oriented power trio supergroup Oysterhead. It’s “Oz Is Ever Floating”, a cut off of their sole (to date!) album The Grand Pecking Order from 2001. The song was a highlight on their associated tour around that time, having played it on their Late Night with Conan O’Brien appearance, among other musical locales.
The band was comprised of some very heavy hitters, instrumentally speaking. On guitar and other (sometimes very bizarre) stringed instruments was Phish head boy Trey Anastasio. On bass was Primus main mover Les Claypool. On drums was Stewart Copeland, sticksman for The Police and well-known film and soundtrack composer by the beginning of the century. His film and TV work was his day job, involving very meticulous processes and meetings with directors in order to satisfy its demands. Not very rock ‘n’ roll.
It would take a brash proposal to get Copeland out of film-and-TV-score land, and to get him behind the kit again, a role he’d virtually ignored for almost a decade.
Listen to this track by British power trio, “supergroup”, and hard-rock pioneers Cream. It’s their live performance of Robert Johnson’s 1936 song “Crossroads Blues”, a take on the song that also quotes another Johnson song, “Travelin’ Riverside Blues”, and showcases the three-way assault of each member of the band (For you stereo listeners: Bassist Jack Bruce to your left, drummer Ginger Baker just behind you, and Eric Clapton to your immediate right).
The song itself is a tale of an unnamed dread, a fear of nightfall and being out on the road alone. Many associate this song with the legendary and very often repeated tale of a deal going down at a crossroads in Misssissippi, where Robert Johnson is rumoured to have sold his very soul in order to become no less than King of the Delta Blues Singers. Johnson’s influence is certainly proven by this cover version, performed in March of 1968 at San Francisco’s famed Winterland Ballroom, a mecca of rock ‘n’ roll history. Cream scored a #28 hit with this rendition of the song.
But, what is the real story behind this tune, and the real source of dread hinted at in its lyrics? Is it the terror of a supernatural force, or is the threat the song’s narrator is alluding to more of a mortal concern? Read more