Northern Pikes Play ‘Let’s Pretend’

Listen to this song by Saskatchewan power-pop jangle merchants Northern Pikes, with their not entirely removed from early REM Canadian radio hit “Let’s Pretend” as taken from the band’s 1988 album Secrets of the Alibi.  And Happy Canada Day, everyone!

The Northern Pikes allied themselves with post-punk and with college radio that drew from 60s British Invasion sounds, as well as roots rock overtones as well.  And they formed in the Canadian Prairies, with simple expectations of rock bands playing smaller venues placed upon them.  This meant that they had to learn how to play Lynyrd Skynyrd tunes too, in between ones by Elvis Costello & the Attractions, and Squeeze. As such, the range of this band was wide, stylistically speaking.  The result was a solid career in Canada, with a record deal with Virgin Canada.

Like a number of Canadian bands, they had the advantage of drawing from three singers and songwriters, all with a talent for classic pop-rock songwriting.  And “Let’s Pretend” is one their best, a song about having one’s innocence crushed, and about the cruelty of the world that runs contrary to how many of us feel things should be.  From the peace between religions, to the stability of loving familes, to the ongoing career of the Beatles, this is a song about disappointment – that an ideal world is often vastly removed from the one we find ourselves in.

The Northern Pikes had a number of hit songs on Canadian radio  in the late 80s and early 90s (‘Teenland’,  ‘Wait For Me’, ‘She Ain’t Pretty’, ‘Girl With A Problem’, and others).  They served as opening act to a number of high-profile acts of the time (Duran Duran, David Bowie, Robert Palmer), and achieved international exposure. But like many bands from this country, the American market was seemingly unmoved by them.  As such, after their final album Neptune in 1991, and a live album the following year, they split.

But, you may recgonize the lead vocals on this track from bass player, singer, and songwriter Jay Semko . He wrote and performed the theme to Due South, a cop series about a mountie working in Chicago.   Under all of that, the show is really about the cultural differences and barriers between Canadians and Americans.  Considering the troubles Northern Pikes had breaking through to our neighbours to the south, this is kind of appropriate.

More recently, the band has come together to work on a number of projects together which have, to date, not been released.  For more information on this, and other Pikes-related info, check out

And of course for more music, head on down to the Northern Pikes site.


Neil Finn Performs ‘Hole In The Ice’

Here’s a clip of songwriting colossus Neil Finn with a live take on his 2001  track ‘Hole in the Ice’ as taken from his 7 Worlds Collide live album and accompanying DVD.  The studio version is featured on the One Nil album, released in North America in 2002 under the title of One All.

Neil Finn joined Split Enz in 1978 while barely out of his teens. Since then, he formed the very succesful Crowded House, made records with his older brother Tim as the Finn Brothers, and maintained a solo career.  His latest efforts have been channel into a new version of Crowded House currently touring as of this writing.
Neil Finn joined Split Enz in 1977 while still in his teens. Since then, he formed the very succesful Crowded House by the mid-80s, made records with his older brother Tim as the Finn Brothers, and maintained a solo career too. His latest efforts have been channelled into a new version of Crowded House currently touring as of this writing.

To demonstrate his admiration among musicians, the concert off of which this track comes features some prominent guests in Johnny Marr (The Smiths, Modest Mouse), Lisa Germano,  Phil Selway  and Ed O’Brien of Radiohead, Eddie Vedder of Pearl Jam, and brother Tim Finn among others.

This is one of my favourite songs by one of my favourite artists.  On paper this song shouldn’t really work.  The first bit is a shouty attack, as close to a right-out-of-the-box sonic bludgeoning as Finn has ever gotten (with maybe his earlier song with Crowded House “Kill Eye” gives it a run for its money).  The second is the soaring “And I won’t travel…” section, with those angelic “ah ah” backing vocals. The two seem to be from different songs entirely.  Yet, Finn puts them together, and they seem to complement each other beautifully.  How does he do it?

I’ve said it before and I’ll say it again; Neil Finn is one of the best pop songwriters alive today, as good as Paul McCartney ever was, and adding in some of the darkness and attractive impenetrability of Leonard Cohen too to the McCartneyesque confection while he’s at it.

For more music, check out the Neil Finn MySpace page.

And of course, check in to the Crowded House site to see what the newly reformed band are up to next.