Listen to this track by enduring multimedia phenomenon that featured ex-jockey and Artful Dodger Davy Jones as a lead singer, The Monkees. It’s “Daydream Believer”, one of their biggest hits and appearing on the 1968 album The Birds, The Bees, and The Monkees.
As with many songs that The Monkees recorded, “Daydream Believer” was sourced from an outside writer. In this case, the writer is John Stewart who was a one-time member of folk group The Kingston Trio. That folk connection seems like kind of an odd fit on the surface of things where The Monkees were concerned, maybe. But producer Chip Douglas, who was a friend of Stewart’s, helped the band turn this into a smash pop single. This is in no small part thanks to Peter Tork, who came up with and plays the bright piano line that helps to define the song so sharply. Additionally, both Michael Nesmith and Micky Dolenz add their own parts (guitar and backing vocals respectively), making this a full-band effort.
But the one who really shines on this is Davy Jones himself, striking a balance between joy and melancholy that’s as good as any of the best pop songs of the decade. Beyond the era in which it was made, I think this song says a lot about it’s lead singer too, and continues to do so even beyond his time spent on earth singing it. Yet initially, Davy Jones just didn’t get this song. Read more
Listen to this track by enduring four-man multimedia phenomenon Micky, Davy, Mike, and Peter; The Monkees. It’s “Sometime In The Morning”, a deep cut and favourite track off of their mega-selling second album More Of The Monkees, released in January of 1967. The album remained at the number one spot on the Billboard 200 for a big 18 weeks. Meanwhile, this song would appear multiple times in their concurrent and very popular TV show The Monkees including in one of my favourite episodes “Monkee Mother”, guest starring Rose Marie.
Nineteen sixty-seven was a banner year for the group for a number of reasons. First, the TV show was an Emmy-winning hit. Second, their first live appearances as a group starting at tail-end of 1966 were going swimmingly during a time when they were taking heat for being just a pretend group who couldn’t play their own instruments. As far as the “pretend” part of that equation, this was true in one sense; the group they played on TV really was fictional, even though its members had the same names as the four principle cast. In real life though, they were as real as any other band playing shows in front of live audiences. The differences between their two identities, one fictional and one real, may explain the confusion around The Monkees’ authenticity. No one else was doing this sort of thing in quite this way at the time.
Further to that, this dynamic blurred the lines about who was responsible and who should be credited for the music people were hearing and buying. So, when More Of The Monkees hit the racks in January of 1967 to the surprise of The Monkees themselves who had no idea it was even coming out, things were about to get real ugly, real fast. Read more