Isaac Hayes Sings “Walk On By”

Isaac Hayes Hot Buttered SoulListen to this track by Stax staffer, soul music innovator, and future South Park cast member Isaac Hayes. It’s “Walk On By”, Hayes’ expansive interpretation of the Bacharach-David pop hit that appears on 1969’s Hot Buttered Soul.

Hayes had been a stalwart songwriter at the Stax label, penning many hits for resident artists, most notably Sam & Dave, and their song “Soul Man”. But, the time between that song and the end of the decade was a wide one. A lot had changed. One important thing that had shifted was the standing relationship between Stax and Atlantic, the latter of which had distributed the former’s catalog from 1965. Atlantic had claimed Stax’s output when it in turn was bought by Warner in 1968 as per the contract signed by Stax founder Jim Stewart when the distribution deal was initially struck. The requirement to back-fill Stax’s offering with new work was suddenly a vital priority. It was the end of an era, and the beginning of a new one.

How did this turn of events help to establish Isaac Hayes as a soul music icon, a status that lasted over a forty-year career as a solo artist? Read more

Goodbye Isaac Hayes!

In honour of the passing of soul legend Isaac Hayes, here’s a clip of the self-proclaimed black Moses Hayes with his, arguably, most popular song ‘The Theme From Shaft’. This track comes from the 1971 blaxploitation film that helped to kick start a genre, one which shed light on the state of things in the inner cities of America, while simultaneously making a pantheon of heroes for those who lived there.

Isaac Hayes was a singer, songwriter, actor, and businessman, not to mention a prime mover in the 60s and later in the 70s of empowered, joyful soul music that built upon, and bettered, the R&B which preceded it.
Isaac Hayes was a singer, songwriter, and sometime actor. This is not to mention his role as musical prime mover in the 60s, and later in the 70s, of empowered, joyful soul music that built upon and bettered the music which preceded it.

The song is one of the few theme songs which endures to this day that is this much of its time. The chicka-chicka-wah guitar is clearly in early 70s territory, yet for whatever reason, this song and its signature guitar and hi-hat opening helps to build the legendary status of both the film, and Hayes himself. And it shows just how ambitious soul music could be, and how successful a lushly orchestrated arrangement of strings and brass mixed with guitars and drums could be too, while still being accessible and not overblown. It builds a sort of slow-burn tension that is pure genius. This for me is Hayes’ masterstroke. One bad mutha, in fact.

Before his role as the chocolaty-voiced solo artist, and before the creation of his 1969 masterpiece Hot Buttered Soul, Isaac Hayes was a key player in the success of the Stax label in the mid to late 1960s. His contribution to the careers of Sam Moore and Dave Prater, known as soul duo Sam & Dave, is incalculable. Along with his services as staff pianist for Stax, he wrote the lion’s share of Sam & Dave’s material, including the smash “Soul Man’ along with partner Dave Porter. Most songwriters pray for the day they can write even one tune as strong as that one, capturing the essence of soul music; pure joy in delivery, an undercurrent of sexuality, and the celebration of one’s own identity. Yet Hayes wrote scores of them; “When Something Is Wrong With My Baby”, “Hold On, I’m Comin'”, “You Don’t Know Like I Know”, and many more.

But, even if he’s no longer able to make any more concert appearances, write more songs, or put out new albums, his name and influence is forever preserved in the spirit of Stax, the evolution of soul, and the legacy of musical history.

Bye, black Moses.