Listen to this track by Swindon new wave representatives and documented America-admirers, XTC. It’s “Statue Of Liberty”, a single as taken from their 1978 debut album White Music.
The line-up to be heard here is the earliest incarnation of the band, with stalwarts Andy Partridge (vocals and guitar) and Colin Moulding (vocals and bass) being joined by drummer Terry Chambers and keyboardist Barry Andrews. Chambers would depart by the time the sessions for 1983’s Mummer were in process. Barry Andrews would leave soon after this record, and go on to form Shriekback.
Starting out, XTC was very much in the vein of their post-punk peers. And this was among their earliest singles, a tune about the iconic lady statue that adorns the New York City skyline, symbolizing the ideals of freedom and liberty for immigrants to a land of opportunity.
But, this song takes a bit more from that equation, with a more erotic attachment to the lady herself, so much so that the line about “sailing beneath your skirt” raised eyebrows at the BBC. But, I think this song says a lot more than just being provocative for its own sake. Read more
Listen to this track by West Saugerties, NY house-renters and former backing group turned 20th Century music innovators The Band. It’s “Chest Fever”, a track as taken from their 1968 debut record Music From Big Pink.
The album was named affectionately after the house in which much of the group’s early material was written, now famously known in rock lore as one of the first “clubhouse” style recording set-ups that would produce their fruitful Basement Tapes sessions with Bob Dylan when they were still a nameless band transitioning out of their days as The Hawks.
Their work during these sessions showed that world-changing rock music didn’t have to be created in a professional studio while someone else’s clock is ticking. It would also allow them space to explore other musical avenues and modes of narrative, and to push the possibilities of what rock music could be for everyone while they were at it. It would set the tone for an approach that would carry over even when they came to record their debut in a formal studio setting, working with sympathetic producer John Simon, under their new name The Band.
This is a tune that would burn like a beacon on a landmark debut record, and distinguish itself among some of the best in the group’s catalog. It would also diverge from the carefully constructed approach to songwriting for which the Band is now known in distinct, unique ways.
Listen to this track by bespectacled angry young man and original hipster singer-songwriter Elvis Costello. It’s “Miracle Man”, a deep cut as taken from his 1977 debut album, My Aim Is True.
This song is in very good company with those that Costello worked up while he was an early signee to the nascent Stiff Records label. This was after seven years of graft, taking the then twenty-two year old songwriter from his teenage years as a member of pub rockers Flip City to when he was christened with his Kingly moniker upon hooking up with Jake Riviera at Stiff.
And maybe it’s because Costello had spent so many years making demos, and having them sent back to him by record companies, that his debut is a compendium of tales of frustration and insecurity marked by a fierce intelligence and the swagger of youthful ambition. With this song, that theme carries through pretty well. And on the surface, it comes off as a guy who’s attached to someone who doesn’t really appreciate his efforts in the love department. But, that really is just on the surface of things.