Listen to this track by modern bluesman and national steel guitar-slinging songwriter Chris Whitley. It’s “God Left Town”, a deep cut on his 2004 Internet-and-gig only album, and his ninth, War Crime Blues. The song showcases Whitley’s skill as a guitarist who is able to hold the threads of an arrangement, and of emotional currents together by the strength of six strings, and a foot stomp.
This is to say nothing of his voice, which here is like a voice of one crying in the wilderness. It’s like hearing the words spoken through a sandstorm, obscured by the noise of emotional turmoil as created by the roiling lines of the guitar. And then, the whole thing just stops.
It’s hard not to connect this song, and others on War Crime Blues (such as a cover of the Clash’s “The Call Up”) with a time of unique absurdity, when wars in Iraq and Afghanistan raged with seemingly no end in sight, and for no definable purpose. By the time this record was created, George W. Bush had been inexplicably re-elected after initiating all of that. It was high time for a protest record.
Yet, really it seemed like a record or a song that crafted well-reasoned arguments as to why the war in Iraq was immoral, nonsensical, and waged clearly to protect the private interests of corporations was not really going to cut it anyway. No one was listening to reason.
Luckily, Chris Whitley’s record, and this song, isn’t about that at all. It’s about something more primal than that.