Listen to these tracks from Hamiltonian art-rock concern The Foreign Films, as led by one multi-instrumentally inclined Bill Majoros. It’s the double A-side “Night Without The Day/Glitter”,

Bill Majoros, principle creative mind behind The Foreign Films. At the end of 2010, he released the EP Fire From Spark, with the intention of releasing singles and EPs to build a buzz for the full-length follow up to 2007’s double album Distant Star.

The new songs provide something of a taster to the upcoming album, serving as the next chapter leading up to the act’s upcoming full-length LP to be released in 2012. This is rock music on a grand, cinematic scale, yet with the intimate feel of musicians creating sounds in collaboration, balancing rock, orchestral pop, Beatles-esque psych, all the while using warm cellos and strings, bolstered with subtle electronic ornamentation.

Majoros ramps up some darker textures on these tracks when compared to the Fire From Spark EP released at the tail end of last year. I spoke with Bill Majoros  in an interview with the Foreign Films around that time, and he is still concerned with telling stories in his own way through his work, with the help of talented guest musicians and friends on the extremely fertile Hamilton music scene. This time, the stories are moodier, with starker images, and a bit darker all around than before on these two songs.

This darker territory certainly  isn’t a reflection of where he’s at personally or professionally, with growing interest in his work in the UK and in Europe becoming something to note.  His White Album-esque song  “Lucky Streak“, among others, appears on NME.com in video form, with all kinds of potential to reach an audience hungry for new sounds. This is appropriate, given how much of the music coming out of Britain, particularly ’60s British Invasion guitar rock and psych, has helped to shape what Majoros is doing in the 2010s.

The advantage Bill has with the band is that it can take whatever form he wants it to take, being its principle creative mover. Yet, he is open to seeing where the process takes the music, with plenty of input, as always, from guest musicians. To this idea of an evolving sound for the Foreign Films, specifically on these songs, Bill’s said:

“We’ve been pushing ourselves a little further, and it seems that the songs are coming out edgier.  It’s been an exciting process. We might have another double A-side before the record, and we’re working on the details right now.”

This slow trickle of releases has helped Bill drive himself forward, excited about what’s coming out of the sessions.

” We wanted to find the magic in every performance,” he says.  “No experimentation was frowned upon. No concept was inconsequential. We didn’t stop until every piece of our imaginative puzzle was complete.”

But, when’s the album coming out?

“I’m hoping late Spring, but I’ve still got about five more songs to complete, so it will depend on creative process a bit. Saying that, things have been going very, very well lately. ”

Be sure and “Like” The Foreign Films on Facebook.

Enjoy!

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2 thoughts on “The Foreign Films Play “Night Without The Day/Glitter” Double A-Side

  1. I’m always walking around with my ears wide open for new sounds. In the late 60’s till late 70’s, and early 80’s to some extent, we were spoiled with artists coming out with new sounds almost every other month. Since then music has been pretty static for me until now. Bill Majoros is creating sounds that are pointing to the future of music, and right in my own backyard too. There is always gonna be a market for rock, blues, jazz, country, and what they now call R&B(YUK), but I’m sure that there are many people out there just like me who have been waiting for that new sound….Well, IT’S HERE!…Thank-you Bill Majoros.

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