Here’s a clip of Hamiltonian punkabilly-flavoured rock/pop punk rock trio The Barettas. It’s the video for their single ‘Touché”. You can currently download the single for FREE on their bandcamp page, good people. The single, with an equally excellent B-side in “Black Sheep” was released last month.
The band is made up of three women – Katie Bulley (guitar, vocals), Kate Kimberley (bass, vocals), and Carly Kilotta (drums) – who’s average age is currently 22, yet sound as though they’ve been at this game for twice that time at least. Since their formation in 2009, the trio has rubbed elbows in support slots for acts as critically acclaimed as the Diodes (!), The Fleshtones (!!), The New York Dolls (!!!) and A Flock of Seagulls (!!?) among others.
Among the references you’ll find about this band in the press are comparisons between their hometown of Hamilton, Ontario, and the soul music, blues, and garage rock mecca of Detroit Michigan. Sure, both are industrial, blue collar towns. Both are criminally left behind in comparison to other cities when it comes to accolades of cultural importance where pop music is concerned (although, KISS never wrote about Hamilton – or they haven’t yet). But, do the comparisons end there?
Well, I decided to ask Katie that question, among others including questions about dayjobs, about what a support band can learn from a headliner, and about what it is to be a woman in a 21st Century rock ‘n’ roll band.