Listen to this track by former Talk Talk creative honcho and minimalist composer Mark Hollis. It’s “A Life (1895-1915)”, what he considered to be the centerpiece of his only solo album, Mark Hollis. The record was released in 1998 without much fanfare, since its author asserted that “fanfare” of any kind didn’t really match with the material on the record. That meant no gigs. It would be an entity of the studio only, a one-shot deal.
The approach wasn’t exactly out of the ordinary for Hollis, who wasn’t your standard frontman in a not-your-standard band in Talk Talk. One-off records by former frontmen are often associated with contractual obligation, particularly when there’s no follow-up. But here, there is a definite sense of artistic continuity. Like his work under the Talk Talk creative umbrella, the use of space plays a pretty big role on his solo record and in this piece. And to Hollis’ point, it would be hard to really take this music in while in a live setting. Imagine how many intrusive conversations, clinking glasses, and inebriated guffawing it would have to cut through.
Another aspect of this is the sources where this material is derived. To my ears, the first one that leaps to mind is late ’50s Gil Evans. Minimalist composition in a classical context also seems to be the general sonic neighbourhood here. But, despite my feeling that it’s hard to attach the word “song” to this piece of music, it really is one. But, what is it about?
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